I Love Desi

I just read the new book, Desi Arnaz:  The Man Who Invented Television by Todd S. Purdum, and came away with a higher appreciation for Arnaz, who some pejoratively referred to as Mr. Lucille Ball.

Arnaz was the mastermind behind “I Love Lucy” and Desilu Studios.  He’s responsible for moving television production from the east coast to the west in the 1950s, establishing situational comedies shot on film in front of a live audience, and conceiving of re-runs, the concept that networks could earn money by airing repeat viewings instead of paying for summer replacement shows.

“I Love Lucy” was created to keep the Arnazes together after 10 years of marriage which included long periods of separation due to Desi’s orchestra being on the road.

In 1950, Lucille Ball had a popular radio show, “My Favorite Husband.”  When TV executives sought new series to develop, they harvested radio shows to make the transition.

What resulted was “I Love Lucy” which only happened after CBS and their sponsor Philip Morris agreed to their demands: that Desi replace actor Richard Denning as Lucy’s husband, and that the show be produced in Los Angeles where they had their home.

At the time, most TV shows were produced in New York and nearly all were aired live on the east coast with movie cameras capturing the shows off television monitors in order to air them in other time zones.  Called kinescopes, these were of inferior quality compared to a show produced directly using motion picture cameras (videotape didn’t exist yet).

Reluctantly, the network agreed to all their terms including having the show filmed in front of a live audience with a revolutionary three-camera concept.  Famed cinematographer Karl Freund figured how to properly light the set for both long and close-up shots as all cameras simultaneously captured the action.  By having the show filmed allowed for high quality repeats to air.

When “I Love Lucy” premiered on Oct. 15, 1951, it quickly rose to become the number one rated show in America for four of its six seasons.

Near the end of the 1950’s, Desilu was producing more shows for television than any other studio.

He was the first Latino to head a major studio, Desilu, which at one time had more programming on television than any other studio.  In fact, to this day, no other Latino has held such a powerful position in Hollywood.

Unfortunately, such success led to Desi spending long hours at the studio, leaving his wife and children alone.   It’s ironic that the show was created to ensure they had more time for themselves, but instead the opposite happened which ultimately led the couple to divorce in 1960 after 20 years of marriage.

Sadly, Desi Arnaz never received an Emmy nomination for his performance (Lucille Ball earned two Emmys for the show).

Lucille Ball was Arnaz’s strongest supporter of what he accomplished as a studio mogul.  She’d always give him credit for creating the show and running Desilu successfully while so many in the Hollywood community didn’t.

Once they went on with their separate lives, they remained close.  He would continue producing her TV program “The Lucy Show” and near the end of his life, Ball visited him at his house in Del Mar.  According to daughter Lucie Arnaz, the last phone call they had with one another occurred on their wedding anniversary, Nov 30, 1986, with each one repeating “I love you” to the other.  Two days later, Arnaz passed away.

When Ball received the Kennedy Centers honors five days later, actor Robert Stack, star of the Desilu-produced “The Untouchables,” read a note from Desi which ended:  “I Love Lucy was never just a title.”

I Love Lucy More Than Ever Before

This month I have been obsessed with Channel 104 on SiriusXM that has been playing a wonderful, insightful CBS radio show that Lucille Ball did back in the 1960’s called “Let’s Talk to Lucy.”  Premiering on Sept. 7, 1964 and airing five times a week for about a year, this is the first time these shows have been heard in 56 years.

These radio shows are revelations primarily because in short 10-minute segments Ms. Ball was able to bring out personal insights from her guests that went beyond the superficial conversations they normally occur on TV talk shows.

Unlike many interviewers, Ms. Ball listens to her guests which is why so many of the questions are spontaneous based on what they have to say. What’s remarkable is how cultured these people were back then.  So many of today’s celebrities seem illiterate or crass.  

One of the unique features of the show is the minimum production values. It truly sounds like Ms. Ball walked into a star’s dressing room with a tape recorder in hand and recorded everything herself without much assistance. The programs seem to be only sparingly edited so that the natural conversation comes through without manipulation. 

The fact that the medium is radio brings an intimacy to these conversations that could not exist with visuals.  It’s like we are eavesdropping on a private conversation between Lucy and her guest. 

Ms. Ball’s enthusiasm and interest in her guests shine through.  Whenever she is particularly tickled, she has this warm “ha-HA” laugh that naturally flows out of her.  Adding to the immediacy of the moment, one can often hear Ms. Ball strike a match to light a cigarette.

Sometimes a guest is on for up to five programs.  It is fun how Lucy and her guests pretend to return the next day to continue the conversation when it is clear they only met once, the taping edited into multiple segments.

These shows are so refreshingly real and offer listeners a peek into a time capsule of thoughts and opinions of those who were adults and parents back during a tumultuous time in America when the Vietnam War was raging out of control as were young people in terms of their music, dress and morals.

You gain a sense of how lost some parents must have felt in grasping for any help on how to protect their teenaged children from this so-called revolution.  When guest Ruth Berle, comedian Milton Berle’s wife, espouses the virtues of a man who claimed to have the answer to the parents’ angst, Chuck Dederich, founder of Synanon in Santa Monica, it sounds too good to be true—and it is. 

Dederich was viewed as a guru who could magically rescue children from alcohol and drug addictions.  Within years, however, Synanon’s true purpose was revealed:  a religious cult which mandated members shave their heads, and for married couples to divorce and form new unions.  Anyone outside the group who tried to expose the organization faced harsh retaliation.  By the end of the 1970’s, the government shut down Synanon.

Many conversations revolve around pressing issues of the day, most of which remain prevalent today. 

Andy Williams talks about population growth.  There were 3 billion in 1964 and he said that “in 35 years it is projected the world will have 6 billion”—which turned out exactly correct:  6.1 billion in 2000.

Betty Furness talks about the importance of pre-school children getting enrolled in the new Head Start programs to provide them with a strong education footing.

Ms. Ball cares about the elderly.  During her conservation with Vivian Vance, she recalls a time when she was part of an apple festival parade and noticed old people upstairs in houses who were unable to come down to see the parade and how sad that made her feel.

Her strong beliefs in education, discipline and God come through.  It is uplifting to hear how opera singer Mary Costa (now 90 years old) deals with her loneliness on the road by invoking the 91st Psalm.   I can’t imagine hearing any famous person today talking about their faith without people viewing them as weird.

Often you can pinpoint the date of the recording when a guest talks about a child born 5 months ago or a 10th wedding anniversary.  For example, Lucy attended the 1964 New York World’s Fair.  She was mentioning specific events she saw during her 15-hour visit including a funny anecdote about how the jewels of China placed on her head kept slipping down her face.  I went to YouTube and found a 12-minute video documenting Lucy Day, Aug. 31, 1964.  And part of it shows her with the crown.

Arlene Dahl (still alive at 96, her birthday of August 11 coincidentally the day I am typing this) talks about a book she wrote in 1965 called “Always Ask a Man.”  This was a reaction to what was happening at that time when women were starting to dress and act more like men such as wearing pants and having short haircuts.

I can imagine a younger person hearing this with today’s sensibilities and wanting to “cancel” Ball and Dahl as dinosaurs in their view of females back then­­­, but that would be disrespecting the time period that these two glamourous actresses lived in.  It much have been a shock to see these changes unfold during their lifetime.

Even the more mundane discussions on what to wear and how to apply make-up are fascinating to hear.

Of all the topics, however, the welfare of children comes through as Ms. Ball’s primary concern. 

She is very interested in how her guests relate to their children, and how they balance work and parenting.

In a program focused on school dropouts and juvenile delinquency, Lucy talks with Los Angeles Unified School District administrator George Smith who says that “attendance is a very serious problem” that remains true today.

Lucy bemoans the lax parenting that was already evident in the mid-1960’s and blames adult-themed movies and music in bringing standards down.

“We have drifted into something unhealthy almost to an extreme and I wish we could get out of it.”  That sentiment could not be any truer for today’s times.

Listen to how she compares her role as a parent to that of a ship’s captain.  She is very aware of how limited her time is to positively affect her children.

“I do know that I don’t have much longer to be captain of this ship.  Pretty soon my crew will take off on their own so I am trying to make good use of the time that I have.”

Ms. Ball was a strong believer that children craved discipline, something that I could attest to in my 31 years as an educator.

“Parents should realize their responsibilities immediately and take over with a very firm hand.  And I think that you’ll find millions of teenagers who would be grateful for that.”

What comes through after listening to hours of Lucy talk is that she was a true humanitarian.  She really cared about the world around her. 

Beyond being a brilliant entertainer and business woman, she was that rare celebrity:  smart, savvy and all around decent.  Boy, we could sure use more people like her nowadays.